Coaxial stage monitor
CP15M 15 inch monitor speaker
Applications
- Church
- Stage monitor
- Theatre, Music hall
Feature
- Multi-functional enclosure structure
- HF & LF coaxial structure
- Rotatable tweeter horn, change directivity angle
Technical Specification
| Parameter Name | Parameter Value |
|---|---|
| FREQUENCY RESPONSE | 70 Hz~16 kHz (±3 dB), 50 Hz~18 kHz (-10 dB) |
| NOMINAL COVERAGE (-6dB) | 60°(H), 40°(V) |
| MONITOR ANGLE | Normal mode 34.5° / Built-in angle risers 52° |
| SENSITIVITY (@1W/1m) | 98 dB |
| POWER RATING (AES) | 500W |
| NOMINAL IMPEDANCE | 8 ohm |
| MAXIMUM SPL | 140 dB (AES) |
| DRIVERS | LF: 1×15″ (75mm voice coil) neodymium woofer; HF: 1×3″ compression driver |
Physical Data
| Parameter Name | Parameter Value |
|---|---|
| DIMENSIONS (HxWxD) | 350 x 600 x 514 mm |
| WEIGHT | 22 kg |
| CONNECTORS | NEUTRIK NL4 |
| SPEAKER CABLES | 1+1- |
| MATERIALS | 15mm multi-plywood |
| FINISH | Black polyurea paintings |
| GRILLE | Black epoxy mesh grille with acoustically reticulated foam |
| RIGGING / SUPPORTING | M8 rigging, 35mm support base, monitor angle adjustment rod |
| DIAGRAMS | Front, Top, Side views; Built-in angle risers illustration; Frequency response, Impedance charts provided |
ZSOUND CP15M: The Elite Coaxial stage monitor for Perfect Phase Alignment
In the high-fidelity world of live sound, the relationship between the performer and their audio source is sacred. To achieve true acoustic transparency, many leading engineers are moving away from traditional offset drivers and toward the Coaxial stage monitor (a specialized loudspeaker design where the high-frequency and low-frequency drivers are mounted on the exact same axis to create a single point of sound). The ZSOUND CP15M is the pinnacle of this philosophy within our Stage monitor speaker lineup, offering a level of sonic detail that traditional floor wedges simply cannot match. By delivering a “point source” radiation pattern, the CP15M ensures that the artist hears a perfectly integrated mix, regardless of how close they stand to the cabinet.
The Coaxial Advantage: Why Point Source Sound Matters
The primary reason professional touring acts request a Coaxial stage monitor is phase accuracy (the precise timing alignment that ensures all sound frequencies reach the human ear at the exact same moment). In standard speakers, the woofer and the tweeter are separated by several inches, which can cause “comb filtering”—a phenomenon where certain frequencies cancel each other out as the performer moves their head.
The CP15M eliminates this issue entirely. Because the 3-inch neodymium HF driver is nested directly inside the 15-inch woofer’s voice coil (the electromagnetic motor that drives the speaker cone), the sound originates from a single mathematical point. This results in a remarkably natural midrange, where the human voice lives, and a high-end that feels “airy” and spacious rather than localized or harsh. For artists who rely on subtle vocal nuances, such as jazz singers or theater performers, this technical precision is transformative.
Neodymium Power and Adaptive Stage Angles
Weight and versatility are the twin pillars of modern event production. The CP15M utilizes a high-efficiency neodymium driver (a lightweight, rare-earth magnet assembly that provides significantly more magnetic flux than traditional heavy iron magnets). This allows the monitor to produce a staggering 140dB Max SPL (the absolute peak loudness a speaker can reach before distorting) while remaining manageable for a single technician to reposition.
Furthermore, the CP15M is engineered with an adaptive physical footprint. The cabinet features a built-in angle of 34.5°, which is ideal for standard stage depths. However, when the artist is performing on a high riser or in a particularly cramped environment, the unit includes integrated angle risers that can increase the projection to 52°. This flexibility ensures that the directivity (the specific direction in which the sound waves are traveling) is always optimized for the performer’s ears. When your stage floor is this organized and efficient, you have more creative freedom to implement bespoke event lighting designs to enhance the visual impact of your show without bulky equipment blocking the audience’s view.
Tour-Grade Reliability and System Integration
A Coaxial stage monitor must be able to withstand the brutal reality of global touring. The CP15M cabinet is crafted from premium 15mm multi-plywood (a dense, resonance-free wood selected for its superior acoustic damping properties) and coated in a rugged black polyurea finish. This industrial-grade coating is moisture-resistant and impact-resistant, ensuring that the internal components remain protected during transport and outdoor festivals.
For professional connectivity, we have equipped the CP15M with Neutrik NL4 connectors (the global industry standard for secure, twist-lock audio wiring). To maximize the 500W power rating of the CP15M, we recommend pairing it with ZSOUND MA series digital power amplifiers. These units provide the clean headroom (the safety margin of power available to handle sudden peaks in music) needed to maintain clarity even at stadium volumes. By using our XCA series digital signal processors, you can access factory-tuned presets that optimize the crossover (the electronic filter that separates highs from lows), ensuring the CP15M performs with a flat, honest frequency response every time the power is switched on.
FAQ: Professional Insights on the CP15M
1. How does the rotatable tweeter horn benefit my mix? While the CP15M is inherently a point-source system, it features a rotatable tweeter horn that allows you to change the directivity angle (the spread of the high frequencies). This is particularly useful if you transition the unit from a floor wedge to a pole-mounted “fill” speaker for the audience.
2. Is a 15-inch coaxial better for vocals than a 12-inch? A 15-inch Coaxial stage monitor like the CP15M provides more low-end “heft” and a warmer lower-midrange compared to 12-inch models. This makes it the preferred choice for powerful male vocalists, bassists, and drummers who need to feel the physical impact of the sound.
3. Does the coaxial design help prevent feedback? Yes. Because the sound is coming from a single point, the CP15M has a very predictable dispersion pattern. This makes it much easier for the sound engineer to place microphones in “dead zones” (areas where the mic won’t pick up the speaker’s sound), significantly reducing the risk of feedback loops.
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