Small stage monitor
15 inch moitor speaker
Applications
- Touring performance
- Theatre, Music hall
- Stage monitor
Feature
- Asymmetrical rotatable horn
- Large-size neodymium HF driver (75mm voice coil)
- Customized high-transient response woofer (75mm voice coil)
Technical Specification
| Parameter Name | Parameter Value |
|---|---|
| FREQUENCY RESPONSE | 50 Hz-16 kHz (±3 dB), 40 Hz-18 kHz (-10 dB) |
| NOMINAL COVERAGE (±dB) | 80°(H), 80°(V) Constant directivity |
| MAXIMUM SPL | 132 dB (peak) |
| CHANNEL GAIN | CH1 (LOW): 26dB, CH2 (HI): 20dB |
| POWER RATING (AES) | 2 * 500W@4Ω + DSP |
| INPUT IMPEDANCE | 18KΩ balanced / 9KΩ unbalanced |
| THD+N (0.1w to 1/2 power) | <0.05% |
| SIGNAL TO NOISE RATIO | >98dB |
| COMMON MODE REJECTION RATIO | >50dB |
| VOLTAGE REQUIREMENT | 200-240VAC 50Hz |
| DRIVERS | LF: 1×15″ (75mm voice coil) wooferHF: 1×3″ (75mm voice coil) compression driver |
Physical Data
| Parameter Name | Parameter Value |
|---|---|
| DIMENSIONS (HxWxD) | 382 x 580 x 521.8 mm |
| WEIGHT | 16 kg / 35 lbs |
| CONNECTORS | 2 x NL4MP Neutrik Speakon connectors |
| SPEAKER CABLES | 1+1- |
| MATERIALS | 18mm, 24mm birch multi-plywood |
| FINISH | Black polyurea paintings |
| GRILLE | Black epoxy mesh grille with acoustically reticulated foam |
| DIAGRAMS | Front, Side, Top views provided in image |
ZSOUND M5P-III: The Ultimate Small Stage Monitor for Vocal Precision
Choosing the right small stage monitor (a specialized speaker placed on the floor to let performers hear their own voice and instruments clearly) is the secret to a flawless performance. In the world of professional audio, bigger isn’t always better. The ZSOUND M5P-III was engineered specifically for those who need high-impact sound in a package that doesn’t clutter the stage or break the back of the setup crew. Whether you are a touring musician or a club owner, this unit represents the pinnacle of ZSOUND’s Stage Monitor Speaker series.
Lightweight Neodymium Design for Heavy-Duty Performance
One of the most impressive features of the M5P-III is its weight-to-power ratio. At just 16 kg (roughly 35 lbs), it is a truly portable solution that performs like a heavyweight. This is made possible through the use of a large-size neodymium HF driver (a high-frequency driver using rare-earth magnets that are significantly lighter yet more powerful than traditional iron magnets).
For rental companies, this means lower labor costs and faster load-in times. You can easily carry a pair of these monitors without reaching for a trolley. When combined with our integrated event hardware, your entire stage setup becomes a streamlined, professional environment where every piece of gear works in harmony.
Advanced Horn Technology for Precise Coverage
The M5P-III features an asymmetrical rotatable horn (a megaphone-shaped component that spreads sound unevenly to ensure audio hits the performer’s ears rather than bouncing off the ceiling). This 80°(H) x 80°(V) constant directivity design ensures that the sound remains consistent even if the artist moves slightly left or right on the stage.
Why is this “asymmetrical” design a game-changer? Traditional monitors often spill sound into the front rows of the audience, causing a muddy mix. The M5P-III keeps the sound exactly where it belongs—on the performer. If your stage has a unique layout, the horn can be rotated to adjust the vertical and horizontal dispersion (the way sound spreads through the air), giving you total control over the acoustic environment.
High-Transient Response for Crystal Clear Vocals
At the heart of the M5P-III is a customized 15-inch woofer with a high-transient response (the ability of a speaker to start and stop moving instantly in response to an electrical signal). This is critical for monitoring because it ensures that percussive sounds and vocal nuances are reproduced without “smearing” or lag.
With a peak Max SPL (the maximum sound pressure level, or absolute loudness, a speaker can achieve) of 132 dB, this small stage monitor can cut through the noise of a loud drummer or a screaming guitar amp without losing its clarity. It provides the “elastic” bass and crisp highs that performers need to stay in tune and on beat, making it an essential tool for any serious live production.
FAQ: Common Questions About the ZSOUND M5P-III
1. Can the M5P-III be used for small FOH applications? While its primary role is as a small stage monitor, the M5P-III’s high output and rotatable horn make it versatile enough for Small FOH (Front of House—the main speakers facing the audience) in intimate venues like cafes or small corporate presentations.
2. What is the benefit of the 80° x 80° coverage? This nominal coverage (the specific area where the sound is most audible and accurate) provides a wide “sweet spot”. It allows the performer to hear a balanced mix even if they aren’t standing directly in front of the speaker.
3. Does it require a specific amplifier? To achieve the best results, we recommend pairing the M5P-III with our DL4000-II or MA series digital power amplifiers (devices that convert a low-power signal into a high-power one to drive the speakers) to ensure the drivers receive clean, stable powe
ZSOUND M5P-III Installation Guide: Maximizing Your Small Stage Monitor
Setting up a professional small stage monitor (a floor-facing speaker that allows performers to hear themselves) requires more than just plugging in a cable. To get the legendary ZSOUND clarity out of your M5P-III, you need to understand positioning, horn orientation, and the signal path. This guide will walk you through the essential steps to ensure your performers hear every nuance of their performance without the dreaded “feedback howl” (that high-pitched squeal caused by sound looping between the speaker and microphone).
Optimal Positioning for Vocal Presence
The first step in any small stage monitor setup is physical placement. Because the M5P-III is designed with a specific wedge angle (the slope of the speaker cabinet that aims sound upward), it should ideally be placed between 1.5 to 2.5 meters away from the performer. This distance allows the 80° x 80° coverage pattern (the specific area where the sound is most accurate) to fully develop before reaching the artist’s ears.
When placing your small stage monitor, ensure it is pointing directly at the performer’s head, not their waist. If the stage is particularly crowded, the compact 16 kg footprint of the M5P-III allows you to tuck it into tight corners where larger units would fail. For events where visual aesthetics are as important as sound, such as weddings or corporate galas, you might consider synchronized stage illumination systems to highlight the performance area while keeping the low-profile monitors discreet.
Mastering the Asymmetrical Rotatable Horn
One of the unique technical advantages of this small stage monitor is its asymmetrical rotatable horn (a megaphone-shaped part that can be turned to change how sound spreads). Depending on whether you are using the M5P-III as a standard floor wedge or a small FOH (Front of House—the main speakers for the audience) system, you may need to adjust the horn’s orientation.
To rotate the horn, carefully remove the front grille (the protective metal mesh). By turning the horn 90 degrees, you can shift the dispersion (the way audio waves expand through the air) to favor a narrow or wide stage. This flexibility is vital when you need your small stage monitor to provide a tight “sweet spot” (the area with the best sound quality) for a stationary keyboardist, or a wider field for an energetic lead singer who moves across the stage.
Professional Wiring and Signal Chain
The M5P-III utilizes Neutrik NL4MP connectors (the professional industry standard for secure, twist-lock speaker connections). To install your small stage monitor, use a high-quality 2-core speaker cable. Connect the “1+” and “1-” pins from your power amplifier (the device that provides electrical energy to the speaker) to the input on the back of the monitor.
For the best results, we recommend a signal chain that includes a digital processor like the ZSOUND XCA series. This allows you to set a high-pass filter (a tool that cuts out unnecessary low-end rumble) to protect the 15-inch woofer. By removing deep sub-frequencies that aren’t needed for vocal monitoring, you improve the transient response (the speed at which the speaker starts and stops moving), resulting in a much crisper sound. When your small stage monitor is correctly tuned and powered by a ZSOUND MA series amplifier, it can comfortably reach its peak 132 dB Max SPL (absolute maximum loudness) without distortion.
Installation Pro-Tips for the M5P-III
- Avoid Obstructions: Never place gear or setlists directly in front of the small stage monitor. Even a thin piece of paper can interfere with the high frequencies coming from the 3-inch neodymium HF driver (a high-end tweeter using rare-earth magnets).
- Angle Adjustment: If the performer is on a riser, use a small block to slightly tilt the small stage monitor further upward. The goal is always to keep the HF driver on a direct “line of sight” with the performer’s ears.
- Daisy Chaining: You can use the second NL4MP port on the M5P-III to “link” to another small stage monitor. However, always check the total impedance (the electrical resistance) to ensure your amplifier isn’t overloaded. Pair two 8-ohm monitors to create a 4-ohm load for maximum power efficiency.
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